Talking about the characteristics of stage sound effects and the stage sound design requirements

[Audio Network Information] The stage sound effects are for theatrical performances. The various sounds designed for theatrical performances are referred to as "effects." Can be divided into two major categories of active sound effects and passive sound effects. Active sound effects can also be called “realistic sound effects or objective sound effects”. These sound effects are characterized by their reliable basis and source whenever and wherever they appear; passive sound effects are also called “unrealistic”. Sexual sound effects or subjective sound effects." This kind of sound effect does not need to have actual source and basis, but to deepen the connotation of the whole drama and render the drama atmosphere. Characterized by the character's personality and shaping the character's image. In the theater, the stage sound effect as an ingredient, organically integrated into the show, it is an art in itself, but is a highly technical art. The playwright uses the sound effect as a dramatic factor in the script, and the artist should also embody it as an artistic component in the performance. However, although the sound stage effect is an art, but it can not become an independent art in the theater, just as one component of a comprehensive art exists in the unity of the show.

The role of stage sound effects in the actual performance of

First, the sound stage has the effect of creating a typical environment; performance characteristics of the times; reasonably confirmed that the actor's performance, stimulate action figures, to promote the development of the plot function.

The performance of the actor plays a central role in the theatrical performance. In order to realize the three functions of the drama, the audience is enlightened and educated from the performance. The premise is to let the audience see and understand what is happening on the stage, especially Can see and understand every aspect of the actor's performance. The stage action of the actor sometimes requires the use of sound to reasonably perform. In the drama, no matter how "cool" the stage set of life is hypothetical. Using the ubiquitous sound effects in real life, recreating the objective environment will enhance the aesthetic effect of “fake the truth”. When an actor creates a character, he must use his imagination to affirm the environment of action. If a specific sound effect is matched, the actor will be more realistic about the environment and will help the character to penetrate into the specific situation. Conduct organic activities. In the actual stage performance, you can use a variety of foley or nature's realistic sound and non-realistic sound, through the art department to reproduce the atmosphere of life, so that the audience has an immersive feeling, and create an artistic conception , generating associations. Such as the sound of the waves of the sea, the hoofs and stringing bells, the screaming of the rickshaws walking through the streets, the whistle of the train station and the humming voices; the birds in the original forest are screaming, and the battlefield is bright. The assault, the earth-shattering shouting and the songs with the characteristics of the times, "September 18", "Night Shanghai", "Shandandan Flowering Red Yanyan", "The Sea Sailing by the Helmsman" and so on. In the third act of the drama "Sunrise", in order to express the environmental characteristics of the "brothel", the predecessor, the predecessors chose the "anti-jumping eyes" sung by Zhao Xiaofu in Tianjin in the 1930s. Desolation, when it is hidden. From time to time in the courtyard, some people yelled "before the children", "coming guests", "receiving customers." Coupled with the laughter and snoring of hackers and prostitutes. The prostitute's instinct to sing a small tune "Call a little kiss, eyes to five more ``~~~~~" These acoustic effects not only created a typical environment but also revealed the dark and decaying social nature of the time. The large-scale drama "Fengbei" created by the Zhejiang Repertory Theatre reflects the story of 98 flood resistance. One of the scenes: the head of the wife came to the army to visit relatives, did not expect the troops have gone to the front line of flood control. The wife came to the flood control headquarters of the levee and saw that the tired body of her husband and comrades who had not closed for three days and three nights was both distressed by her husband and moved by the great fearless spirit of the People's Liberation Army. At this time, the field was quiet. I only heard the sound of the river and the cold wind. The river patted the river bank like a wife’s heart. This voice not only created the specific environment on the riverside, but also inspired the excitement of the characters in the play. The large-scale sci-fi "Cosmic Egg" tells a story of science fiction that happened a long time ago. Three Earth children decided to take a spaceship to find friends in outer space in order to save the earth. The audio sound at this time was handled like this: after they boarded the spaceship, it was a huge sound effect of the spacecraft taking off, from near to far. Then there is a space space sound, including meteor flying, universe exploration, mysterious discovery and many other artistic conceptions, which means that the spacecraft has entered space, the children are free to fly in the mysterious universe to realize their ideals, and also make the audience infinite association . The use of this set of sound effects has played a role in inheriting the situation, promoting the development of the plot, and creating a typical environment of mysterious space. The expressiveness and symbolism brought about by the rational use of these sound effects are beyond the reach of other artistic means.

Second, there is the effect of deepening the script stage sound theme, heighten mental state of the characters, the characters reveal mental activity; feature-rich thoughts and feelings of the characters.

According to the thunderstorm sound composed in the drama "Thunderstorm", it not only declared the thunderstorm's dramatic atmosphere. The perspective of the thunderstorm symbolizes the rich connotation and composes a symphony of "Thunderstorm". In the third act, Lu Ma forced the four-phoenix to swear a play, and used the sound effects of various thunders to successfully highlight the state of the character's heart; profoundly revealed the character's inner activity. In the play, Sifeng fancied that she and Zhou Ping both went high and went to the "happy" life. On the one hand, she deeply loved her mother, and it was difficult to break the mother-daughter's feelings, which made her fall into extremely complicated pain. Lu Ma wants the four phoenix to swear that she will never see the Zhou family again. Four phoenix loves Zhou Ping, and there is no courage to swear. At this time, the tumultuous thunder rolls from a distance, the lightning flickering, tearing open the dark night... Lei The sound struck the heart of Sifeng, and the hidden feelings of the mother and the daughter in their hearts were ruined, destroying the mother and the unfortunate soul. Finally, under the repeated persecution of Lu Ma, Sifeng had to swear to the sky: "That... let the thunder in the sky!" Just as the voice fell on the word "劈", a bright electric light Breaking through the night sky, a huge thunderbolt slammed down. The horrified Four Phoenix fell to the ground and burst into tears. Her grief-stricken heart is tormenting and tearing... At this time, the thunder sound not only became the natural environment of the drama, but also the externalization of the emotions in the hearts of the characters. It has a strong symbolic meaning to the fate of the characters, and it has caused the audience to suffer from the horror of the senses and the tremor of the soul. This is the most classic sound effect created by the predecessors. It is the model of our audio design and the most representative example of sound effects.

Drama sound effect design requires true beauty

Yu Jiangang, director of the Department of Acoustic Art Design at the Chinese Opera Academy, said: "Sound effect design is a discipline that combines technology and art. Technology is focused on seeking truth, and art is on seeking beauty." "Sound effect design is based on artistic literacy, subjective evaluation is the basis for judgment, science and technology as the means of expression, and artistic effect as the ultimate goal." Therefore, the truthfulness and beauty of the dramatic sound effect is the second time. The necessary exploration to develop the beauty of drama in the creation.

The sound effect design of the drama has the same creative process as the dance design: starting from the first feeling of the script, capturing the creative inspiration from the touching storyline, and determining the performance style of the drama, such as freehand, realistic, abstract, science fiction, and so on. It is thus determined that an active, passive or hybrid type of sound is used. Throughout the design process, keep up with the overall concept of the director. After completing the design of the sound effect, select a variety of music and effect sounds that are in line with the development of the story. Strive to achieve the sound effect and the action of the characters; the spiritual world of the characters, the thoughts and feelings; the specific environment in which the characters are located and the stage coordination, etc., emphasize the character of the characters, promote the intensification of the stage plot, and promote the development of the plot. In the implementation, it is necessary to determine the length of the sound start and stop, the time value of the sound operation, the change of the volume, the source and the orientation of the sound, and so on. Strive to be suitable for the play, to put an end to the phenomenon of "playing less sound effects." Of course, in addition to the performance, it also needs to cooperate with other art departments, such as stage lighting, stage scenery, clothing and so on.

"Wilderness and People" is a short drama that my group rehearsed for a hundred years of drama. Its stage presentation is completely freehand. The master of the play, the pony, the fine herb is a pair of lovers. However, life cannot keep them together. A pony rides a horse to welcome someone, but it is a lover. Seeing that his beloved person is going to marry another man, the pony’s heart is torn, he is waving a whip and driving in the wilderness... This scene has no stage set, it is completely through the sound effect and the actors’ body shape and Light changes drive the development of the plot. Here, the abstract deformation of the whip sound is used, and the sound is heard in the ear. The sound of the whip is like whipping the hearts of every viewer. Its strong expressive power creates the truth and beauty of the drama.

China's drama has a history of 100 years. The famous director Xu Xiaozhong’s current situation and future development of the dialogue drama has been described as follows: “With the diversity of audience aesthetic requirements, it is bound to require drama to form a variety of dramatic styles and genres in a variety of synthesis,” but the drama “it will remain It advocates the basic characteristics of reason, follows the logic of life, pays attention to the psychological motives of the characters, the logic of thinking and consciousness. Its dominant direction may still be to use the method of stating things, and it may still be through the generation of contradictions and development to show life. Reveal the fate of the characters; still use the witty language of the lines to shape the characters. The factors of realism and romantic factors will be combined in a variety of ways, the factors of prose, poetry and drama will be more diverse, realistic descriptions and symbols, Metaphors even blend with grotesque 'deformation', and the experiential art and expressionist art in performance will be integrated in practice.” But no matter how the future drama develops and changes, I think that the comprehensive art of sound effects is indispensable. of. With the development of science and will update the high-tech audio products, audio equipment performance of increasingly perfect, the audience for theater stage sound effect clarity, authenticity and artistry have higher expectations, participation in the modern theater sound integrated arts The creation will show an increasingly important role.

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